Unlike most instances of reminding myself a million times and finally not attending, I made it to the Indian classical music concert this time. And the experience was, I have to say, every bit, rewarding. Well, almost. The artists (Lalgudi Vijayalakshmi and Pravin Godkhinidi) were of great fame and performers par excellence. For those moments when I wandered off from the surroundings into my own thoughts or blank nothingness, I pondered, did I, or not, fit into this half empty hall of audience. Apart from the restless kids who were bribed with a camera or doodling apparatus to keep shut, I bet I was the youngest in the crowd (Believe me, I am not as young as I look). Was it the weather, publicity or the genuine disinterest among the young crowd, not sure. But enough people didn't turn up, and those who did were, on an average, twice my age.
I satisfied myself with the following explanations. Any others are welcome. Despite the versatility and depth of classical music, it lacks style. More appropriately, its not hip. I was eager about the concert because it was a Carnatic-Hindustani Jugalbandi. Jugalbandi in general, means performances involving two lead players on different instruments or genres albeit in sync. But the beauty often lies in the aggression in the fusion, to which the performers crescered, but not till the end. Modern and western, on the other hand, is high on tempo and caters to various moods other just soothing your soul.
Another aspect involves the getup. The act is mostly sedentary, and demands conduct. It might sound awkward if I suggest the artists to dress up more fashionably. Why not toss the kurta-pyjama and the ever irritating saree for a cool torn jeans and leather jacket for a change? I cannot imagine the sight of hippie like artists on the mridangam or tabla jumping around the stage, but I do the commend the likes of Bickram Ghosh and of course the gorgeous Corrs. For the unshaven and long hair looks they usually have, I guess they are a just step away from a makeover.
I am no big music critique or possess knowledge enough to judge the great ones and am posting this at the risk of inviting wrath from those who do. My intention is to express a common man's (not that I am that too) perception about this school of art.
